11/21/2023 0 Comments Beyond van gogh locations 2022But Van Gogh saw a presence and a power in that particular blue and when the sketch gets colored, you get to feel the weight of the blue.īut, as a whole, I would love for people to just focus on the fact that none of the darkness associated with Van Gogh – the madness, struggling poverty, etc. I particularly like the sketch of the yellow house in Arles that gets filled with colors: when you look at the sketch, the sky is filled with lines, which might be odd considering it’s a clear blue sky and that most people would have left that simply empty. The experience is filled with details and transitions that are interesting and relevant. What are some elements guests should be sure to look for during the experience? He abstracts from it in order to catch something that’s truer than truth.Īt Beyond Van Gogh: The Immersive Experience, you are always surrounded by beauty Timothy Norris Even when painting himself, he represents what’s beyond tangible reality. That explains why, when you look at all the self-portraits together, they almost look like a different person every time. Van Gogh never idealized himself: he would put bluntly on the canvas the way he saw himself at a particular time. But it also provides an incredible insight into the different phases of the last 10 years of his life (the period during which he painted). Of course, Van Gogh was often resolved to painting himself for lack of money to afford models (which is also why he so often painted the people in his life for him, portraits were one of the highest forms of art). We only have one photograph of Van Gogh (shown alongside his brother, Theo, in Beyond Van Gogh), so his self-portraits are all the more important. All of those are still very relevant for us today.Ī couple of the artist's self-portraits at Beyond Van Gogh: The Immersive Experience Lois Alter Mark Through all that, the goal was to focus on elements of his work that would still resonate with a 21 st century audience: his craving for beauty, his ability to transcend the ordinary into works of art, the power of colors, the healing quality of both art and nature, etc. Putting all these works together regardless of their production dates allows us not only to understand his approach differently (for example, the way he painted flowers like he painted people) but also gives an overview of the people in his life and the widely different ways he represented himself. But throughout this progression, the show also allows for anachronistic breaks, like the portraits transitioning into flowers or the self-portraits scene. And when you look at his whole production, it follows a similar pattern of going from darker shades – when he starts to paint – to a brighter palette – when he gets to Paris and sees the Impressionists - to an explosion of vibrant colors – when he gets to the south of France and really develops his own style, which is so easily identifiable. There’s a sort of irony to the fact that Van Gogh tends to be remembered for the darkness of his life when most of his work is filled with bright colors, joy and a certain soothing quality. There’s a very natural and chronological progression in Van Gogh’s work that resonates strongly with the core of this show, which was to go beyond the darkness of Van Gogh’s legend to focus on the sheer power of the work itself. Timothy NorrisĬan you talk a little about the exhibit’s different themes and why they’re so important and representative of his work? Beyond Van Gogh is a surprisingly intimate experience.
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